- Create content
- WarShooter: blog
- WarShooter: images
- Warshooter: photoblog entries
- WarShooter: Photographic Stories
- WarShooter: new photo series
- Altaf Qadri on the Deadly Standoff in Kashmir
- Anne Holmes: Emergency War Victim's Hospital, Kabul Afghanistan
- David Dare Parker: A Return to East Timor
- Gabriel: Un Vuelo Sin Vuelta (A Flight of No Return)
- Gary Knight: Darfur, War Without End
- Gaza After Disengagement
- Healing Lebanon's Wounds
- HIDDEN IN PLAIN SIGHT: A Benefit for Iraqi and Palestinian Refugees
- Kashmir: Paradise Lost
- KENYA- post election violence
- Lessons of Vietnam
- Propaganda: Love and Suspicion
- Silencing Memory: Torture And Disappearance In Iraq
- Tomas Stargardter: Nicaragua's Season of Protest
- Zoriah: Baghad ER
- Zoriah: Baghdad ER (second take)
- Zoriah: Iraq Raid
- Zoriah: Iraq Raid
- Zoriah: Iraq War Diary – Into the Mouth of Madness
- Zoriah: Lebanon's 34-Day War
- Zoriah: Lebanon's 34-Day War (Color Series)
- Zoriah: Lebanon Protests
- Zoriah: West Bank Checkpoints
- WarShooter: new photo series
- WarShooter: audio
- WarShooter: job listings and photo requests
- Enter the WarShooter free classified ad system
- Enter the WarShooter store.
- WarShooter: polls
- WarShooter: archives
- WarShooter: contact
- Latest images
- WarShooter: alphabetical directory list
- WarShooter: compose tips
- WarShooter: web links
I Am Not a War Photographer screening in Brooklyn, NY
Wanted to alert everyone to this screening and talk by artist Lynne Sachs:
I AM NOT A WAR PHOTOGRAPHER is a cinematic presentation and talk exploring my decade-long artistic rather than physical immersion in war. From Vietnam to Bosnia to WWII Occupied Rome to the Middle East today, my experimental documentary films push the borders between genres, discourses, radicalized identities, psychic states and nations through the intertwining of abstract and reality based imagery. In my talk, I will introduce precise visual strategies I have discovered in working with these fraught and divisive themes. Often opting for a painterly rather than a photographic articulation of conflict, I struggle with each new project to find a precise language of images and sounds with which to discuss these volatile moments in history, exposing what I see as the limits of a conventional, documentary representation of both the past and the present. Infusions of colored “brush strokes
- admin's blog
- Login or register to post comments
- Printer-friendly version
- Stumble
- 1556 reads
